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Glitch, 1997, 20 minute single-channel video with stereo audio.

Description
Glitch looks at the video-maker's own female self-representation through experimental editing and symbolic imagery. Using extensive layering and fragmenting of her autobiographical narrative, as well as visual and aural text, "Glitch" splinters the mirror of traditional cinematic expression. This fragmentation reflects the struggle of one women's voice within the constraints of male-dominated mediums such as film and technology.

All production (shooting, editing, sound) by the artist.

 

 

 

The Web, 1997, 20 minute single-channel video with stereo audio.

Description
The Web examines sexist ideology permeating Western culture from the ancient Greek civilization to contemporary Web culture on the Internet. Using the symbol of a spider, Hunter represents the female laborer weaving texts that are continuously appropriated by male ideology. Using imagery of spiders, thread, needles, and spindles, she reminds the viewer of the craft of web creation. In addition, she incorporates unglazed vessels in The Web to recall ancient artifacts depicting women working with tapestry. Placed on contemporary vessels, the images of the drop spindle, (the oldest tool invented by women) and actual texts appropriated from old embroidery manuals, symbolize the recycling of old ideas.

All production (shooting, editing, sound) by the artist.

   

From Ecstasy to Disillusionment via Chocolate Cake
1995, 9 min. single-channel video with audio. Audio by Ted Singhdahlsen.

From Ecstasy to Disillusionment via Chocolate Cake is an audio-visual rendering of a woman who creates her own seductive ritual around a forbidden food. The multi-layered audio creates a tense, seductive mood where manipulated fragments of speech and sound build walls of ecstasy that ultimately collapse.